Some Common Weaknesses in Prose Style; and How To Strengthen Them
1. Employ
a vocabulary that you are comfortable with--that “sounds like you”; but don’t
sacrifice correct grammar and usage, either.
Put another way, avoid fancy-sounding words or words you choose because
they seemingly make you sound “intellectual.”
Thus instead of “Pym’s maturation has come full circle at the terminus
of Poe’s literary creation,” say simply, “By the end of Poe’s novel, Pym has matured.”
2. Avoid
wordiness: bloated sentences containing
more words than you need to convey meaning.
The example above is wordy. So
too is “Due to the fact that Poe is very dramatic in the writing of his tales,
it can be said that he personally was somewhat theatrical.” Instead, say: “The dramatic intensity of Poe’s tales equalled his own
theatrical personality.”
3. Try to
avoid cliches--phrases that are ineffective because of repeated use: “like a ton of bricks,” “dead as a
doornail,” and so on.
4. Stay
away from empty generalizations, especially in which you “evaluate” the
author: “Poe does an excellent job of
emplying the deception theme in Arthur Gordon Pym.” The “excellence” of the novel is a
given--that’s why you’ve been instructed to write a paper on it.
5. Promote
nouns and verbs rather than rely on their helpers, adjectives and adverbs. Especially avoid qualifiers like “very,”
“totally,” “kind of,” and so on. Simply
state what you mean. In, for example,
“At the midpoint of Arthur Gordon Pym, the boat is totally
destroyed, and the reader is very tense,” the qualifiers are
unnecessary.
Use concrete, specific nouns. Avoid “thing,” “area,” “individual” and other dull and imprecise
words. Say exactly what those things,
areas, or individuals are or resemble:
6. Vary
the length of sentences to avoid choppiness, as in: “Poe’s narrators are often madmen. They are deluded. These
characters do not possess self-knowledge.
“William Wilson” is an example.
The character here is shadowed.
He is shadowed by a second self.”
Note too here how the several short sentences promote repetition and
thus wordiness.
7. There
is nothing intrinsically wrong with using the phrases “I think,” “I feel,” “I
believe,” and so on; but usually you don’t need them. Because it is you who writes, it must be you who thinks, feels,
or believes.